Saturday, November 17, 2012

ONE CRAZY SUMMER

ONE CRAZY SUMMER
 
 
 
BIBLIOGRAPHY
 
Williams-Garcia, Rita. 2010. ONE CRAZY SUMMER. New York, NY: Amistad-HarpersCollins. ISBN 9780060760892.
  
PLOT
Delphine, the eleven year old narrator, travels with her two younger sisters on a plane from New York to Oakland, California for a month-long visit with their mother, who had abandoned them years ago.  The story is placed in 1968 during one of the roughest times in American History.  The girls' mother seems to be bothered by the fact that they have come to stay with her and Delphine begins to believe the stories that her grandmother has told her about her mother: that she is no-good and crazy.  Their mother doesn't let them in the kitchen, because that is where she works on her poetry. So the girls have to go get their breakfast and stay for most of the day (so that they stay out of their mother's path) at the center run by The Black Panthers where they learn about Huey Newton, Bobby Hutton and the "Black Power" movement.  In the end, the girls unveil some truths about their mother and re-connect in a powerful way.
  
CRITICAL ANALYSIS
Williams-Garcia, an accredited historical-fiction author, does a fine job with the authenticity of this story.  She builds the characters with strengths and weaknesses characteristic of the times.  Delphine, who is only eleven, had to grow up fast because she was responsible to take care of her younger sisters, Vonetta and Fern (even when they fight with each other) because their mother abandoned them when they were very young.  When the girls arrived in Oakland to see their mother, Cecile, she was not excited to see them.  Cecile said, “No one wants you out here making a mess, stopping my work.”  Even though Delphine and her sisters lived with a loving father and grandmother, the pain of not feeling her mother's love was evident. "We weren't about to leave Oakland without getting what we'd come for.  It only took Fern to know we needed a hug from our mother." 

Williams-Garcia portrays the emotions of the times through Delphine's voice and dialect.  She tells the story through Delphine who speaks with a great deal of honesty and candor.  Although she is only eleven, her innocence has been tainted by the realities of the world around her. "His hard stare was for the other reason store clerks' eyes never let up.  We were black kids, and he expected us to be in his gift shop to steal." Delphine was painfully aware of the racism that existed in these times.  "The last thing Pa and Big Ma wanted to hear was how we made a grand Negro spectacle of ourselves."   The author tries to give the reader different perspectives into The Black Panther movement. Delphine says of the center, "It wasn't at all the way the television showed militants (that's what they called the Black Panthers).  Militants, who from the newspapers were angry fist wavers with their mouths wide-open and their rifles for shooting.  They never showed anyone like Sister Mukumbu or Sister Pat, passing out toast and teaching in classrooms."  Delphine wanted to see the good in people.  "I watched the white guys leave unharmed, laughing even....then I heard Crazy Kelvin say, that's the least that the racist dogs can do, and just like that, he spoiled what I thought I knew."   

 This is a very emotional story that raises cultural and ethnic questions.  It is beautifully and passionately written and reveals how important a mother's love is.  It also gives us a great history lesson and helps us to realize how politics can affect our lives and the strong feelings and emotions during the 1960s.   

AWARDS
2011 Coretta Scott King Award Winner
2011 Newbery Honor Book
2011 Scott O’Dell Prize for Historical Fiction
2010 National Book Award Finalist
Junior Library Guild Selection
Texas Library Association Best Book for 2010
 
REVIEW EXCERPTS
“The setting and time period are as vividly realized as the characters, and readers will want to know more about Delphine and her sisters after they return to Brooklyn...” -Horn Book (starred review)
“Emotionally challenging and beautifully written, this book immerses readers in a time and place and raises difficult questions of cultural and ethnic identity and personal responsibility. With memorable characters (all three girls have engaging, strong voices) and a powerful story, this is a book well worth reading and rereading.”-School Library Journal (starred review)
 
“Delphine’s growing awareness of injustice on a personal and universal level is smoothly woven into the story in poetic language that will stimulate and move readers.”-Publishers Weekly
 
CONNECTIONS
The themes in this book include family and race.  It can be paired with other books during The Civil Rights movement and The Black Panthers, such as THE ROCK AND THE RIVER by Kekla Magoon. 

This book also focuses on poetry and a good lesson on poetry could be incorporated as well.

Also consider reading,
LIKE SISTERS ON THE HOMEFRONT by Rita Williams-Garcia



 




Saturday, November 3, 2012

OUR ELEANOR

Our Eleanor: A Scrapbook Look at Eleanor Roosevelt's Remarkable Life
 
OUR ELEANOR: A SCRAPBOOK LOOK AT ELEANOR ROOSEVELT'S
REMARKABLE LIFE
 
 
BIBLIOGRAPHY
Fleming, Candace. 2005. OUR ELEANOR: A SCRAPBOOK LOOK AT ELEANOR ROOSEVELT'S REMARKABLE LIFE. New York, NY: Anthem Books for Young Readers. ISBN 9780689865442.
 
 PLOT SUMMARY
This biography chronicles the amazing life of Eleanor Roosevelt.  It begins with Eleanor's birth in 1884 and goes on to describe, in text and through illustrations, important people, places, projects and accomplishments in Eleanor's fascinating life. This is an elaborate biography of her remarkable life.

CRITICAL ANALYSIS
In this extensive, scrapbook-style biography of Eleanor Roosevelt, Fleming starts off using basic research tools such as a timelime and family tree to document Eleanor's life.  It is organized from the time Eleanor's parents were married, to her birth and then describes her not so happy childhood. "I was afraid… afraid that other people would not like me." Then the book goes on to chronicle the important people and places in Eleanor's life. Fleming is frank, honest and detailed with her well-written words.  In addition to her extremely well-versed text, Fleming also uses many photographs (including copies of her birth certificate and handwritten letters and drawings) and anecdotes with interesting tidbits of information to tell of Eleanor's triumphs, awards and even some of her controversies. This is a very moving biography that emphasizes the strength of Eleanor and her effect on all of us as Americans.  As she was quoted, "these crowded hours have been interesting and stimulating. They have, I hope, been useful. They have, at least, been lived to the hilt."

REVIEW EXCERPTS
SCHOOL LIBRARY JOURNAL
 "Enjoyably educational, OUR ELEANOR will be a core title in all collections for years to come."Andrew Medlar

BOOKLIST
"Ultimately deeply moving portrait."-Jennifer Mattson

CONNECTIONS
Teachers can use this book as a guide to start discussions on what it means to be a humanitarian, to discuss making a difference, and about doing what is right.

One activity could be to have students create timelines emphasizing connections between things of the past (as shown in Eleanor's life) and things in student's lives today. ("Teaching Guide for OUR ELEANOR: A SCRAPBOOK LOOK AT ELEANOR ROOSEVELT'S REMARKABLE LIFE" www.windingoak.com)  

Fleming has connected with children through many of her other biographies, such as, AMELIA LOST, BEN FRANKLIN'S ALAMANC, CLEVER JACK andTHE LINCOLN'S" A SCRAPBOOK LIFE OF ABRAHAM AND MARY.  Teachers should implement these books into their lessons as well.

ALMOST ASTRONAUTS: 13 WOMEN WHO DARED TO DREAM

ALMOST ASTRONAUTS: 13 WOMEN WHO DARED TO DREAM
 
 
BIBLIOGRAPHY
Stone, Tanya Lee. 2009. ALMOST ASTRONAUTS: 13 WOMEN WHO DARED TO DREAM. Somerville, MA: Candlewick Press. ISBN  9780763645021.
 
PLOT SUMMARY
This is a true story of thirteen women who had the strength, courage, determination, intelligence, top physical fitness and experience in flying to become astronauts.  Only, they had bigger challenges with the government, because women were not allowed in the space program at that time (early 1960s). Mercury 13, as they were known, fought not only for women in the Space Program, but they were heroes fighting for justice for all women in The United States.
 
CRITICAL ANALYSIS
This nonfiction, collective biography is easy to read and very interesting.  The photos throughout the book are fantastic and add an element to the story that helps to keep the reader's interest.  Stone's style is very straight-forward and casual.  She organizes the story well by giving us the individual backgrounds of each of the women and main influences and then tying them all together.  She includes quotes such as,"I felt it was an opportunity to try to convince them that a woman could do this type of thing and do it well," Skelton said. "And she was right."  She also gives us detailed descriptions of what the women had to endure to complete their training, including how they had to pass tests such as the Dilbert Dunker, a water survival test.
 
Stone's straight-forward style is shown when she tells of the letter that Carpenter drafted for Vice President Johnson to sign to approve the mission, in which it read, "I'm sure you agree that sex should not be a reason for disqualifying a candidate for orbital flight."  However, Johnson did not sign the letter, but rather wrote "Let's Stop This Now!"  Stone's comment regarding Johnson's response is, "therein lies one of the most troubling, and revealing, strands in this whole story, one that did not come to light until decades later."  She does a fantastic job incorporating facts and history with her easy-to-read, honest words.
 
AWARDS
Boston Globe-Horn Book Honor
Jane Addams Honor
YALSA Nonfiction Finalist
Orbis Pictus Honor
ALA Sibert Medal for the best nonfiction book for young readers of 2010
 
REVIEW EXCERPTS
SCHOOL LIBRARY JOURNAL
"Illustrated with sheaves of photos, and based on published sources, recently discovered documents, and original interviews with surviving members of the "Mercury 13," this passionately written account of a classic but little-known challenge to established gender prejudices also introduces readers to a select group of courageous, independent women."-John Peters, New York Public Library
 
BOOKLIST
"The chatty, immediate style (“Picture this”) and full-page photos make for a fast read, and the crucial civil-rights history will stay with readers."-Hazel Rochman

CONNECTIONS
This is a great story to use to introduce Civil Rights and Women's Suffrage lessons in addition to teaching about the science and technology of the Space Program.
 
 
 
 
 
 


OUR SOLAR SYSTEM

 
OUR SOLAR SYSTEM
 
 
BIBLIOGRAPHY
Simon, Seymour. 1992. OUR SOLAR SYSTEM. New York, NY: William Morrow & Company, Inc. ISBN:  0688099920.
 
PLOT SUMMARY
Simon, an award-winning author, explores our neighbors in space in this interesting, fact-filled book containing over 50 dramatic full-color photos and an easy-to-read text. Readers experience a sweeping tour of the planets, moons, asteroids, meteoroids, and comets that travel around the sun.
 
CRITICAL ANALYSIS
Simon is an acclaimed, award-winning author of children's informational books about Science.  He starts out this book in easy-to-read, large text describing The Milky Way and its Sun while presenting graphs, charts and vivid photos to capture the reader's interest as well as portray the scientific facts. "The blazing sun blasted away the nearby gases and dust into a spinning oval ring." The book is very well organized as the author travels throughout our solar system giving brief descriptions and interesting facts about each of the planets and their moons.  "The Romans named the brilliant planet Venus after their goddess of love and beauty (because) it is the brightest object in the night sky after our moon."  He also introduces us to the asteroid belt where he describes asteroids-"minor planets", comets-"dirty snowballs" and meteoroids-"bright streaks of light." Simon's brilliant use of photographs enhances his readers' experience as they gain knowledge throughout the book.  The graphic chart/illustration displayed under the front and back covers also provides the reader with fascinating information.  
 
REVIEW EXCERPTS
"This title's eye-catching illustrations and understandable text should encourage young readers to look for further information."-Elaine Fort Weischedel, Turner Free Library, Randolph, MA
 
"One of those "must have" books for children's nonfiction collections, this will be useful as well as beautiful for years to come."-Carolyn Phelan
 
AWARDS
1992 ALA Notable Book
 
CONNECTIONS
Seymour Simon is the author of over one hundred children's books about Science. His award-winning books include STORMS, VOLCANOES, EARTHQUAKES, ICEBERGS AND GLACIERS.  He also has written books with more detailed information on the individual planets to get a more in-depth overview.
 


Saturday, October 13, 2012

THE FIREFLY LETTERS: A SUFFRAGETTE'S JOURNEY TO CUBA

The Firefly Letters: A Suffragette's Journey to Cuba By: Margarita Engle
THE FIREFLY LETTERS: A SUFFRAGETTE'S JOURNEY TO CUBA
 
 
BIBLIOGRAPHY
Engle, Margarita. 2010. THE FIREFLY LETTERS. New York, NY: Henry Holt & Company, LLC. ISBN 9780805090826
 
PLOT SUMMARY
THE FIREFLY LETTERS is a beautiful true story written in poetic verse about Fredrika Bremer (1801-1865), Sweden's first woman novelist and one of the world's earliest advocates of equal rights for women.  In 1851, Fredrika visited Cuba for three months and met a young slave girl from Africa, Cecilia, who was her translator.  Cecilia and Fredrika shared their pains and struggles with each other while catching cocuyos (fireflies) and setting them free in the lush countryside.  The novel in verse also involves Elena, a fictious character, who is the young daughter of Cecilia's owner.  Elena and Cecilia become great friends and in the end, Elena gives a heart-felt, unexpected gift to Cecilia. 
 
CRITICAL ANALYSIS
In this novel in verse, Engle uses simple, eloquent and easy to read words.  The story, which is based on primarily true characters, is beautiful, yet chilling.  Cecilia, a young African slave girl says, "was eight, plenty old enough to understand that my father was haggling with a wandering slave trader, agreeing to exchange me for a stolen cow." Throughuot the story, she longs for her mother's voice.  The author's style is flowing and free, yet you can feel real emotion in her simple words.  Fredrika, a wealthy Swedish traveler, comes to visit Elena's family in Cuba.  She remembers that at home, she was not allowed to set foot outdoors or do the things that she dreamed of.  She says "there is no place more lonely than a rich man's home."  Elena is the daughter of Cecilia's owner and she has become fond of Cecilia and Fredrika and even jealous watching them get to run and play outside the little house in the garden "where the two can live in peace, surrounded by cocuyos-fireflies-instead of chandeliers."  Elena thinks to herself, "how disturbing it feels to envy Cecilia, a slave.  She is free, at least for now, to run and shout out in the open....splashing in mud puddles just like a man or a boy." 
 
The imagery in this poetic novel is beautiful as well.  Engle describes Cuba as having "lush gardens and winter sun."  "This island, with its lush gardens and winter sun, had me fooled.  I have always imagined that a gentle climate would make the people gentle too...but that is not the way of the human heart when it is lost in the selfishness of greed."  Engle's words made me actually feel Fredrika's hopelessness and sadness when she thought about not being able to help Cecilia or the slaves and women of Cuba. 
 
The symbolism that she used with the fireflies was extraordinary as well.  When Cecilia and Fredrika move out to the hills with the people of the Canary Islands, Cecilia notices that, "out here, no one tries to catch the soaring insects.  The cocuyos drift so high that they seem to live in heaven, like stars." 
 
 This story continues on with beautiful imagery, language and rhythm as the three women connect with each other.  Even though they all come from different worlds, they all seem to have similar issues, where they feel trapped and have no freedom or liberties to pursue their dreams.  Even Elena, who is a young affluent girl with seemingly everything feels "like she could go mad cooped up in this house like a songbird in a cage." Elena's touching gesture at the end of the story is a symbol of their love for each other and for mankind in general.  After all, "without even trying to be a teacher, Fredrika is teaching us, showing us how to see things in new ways instead of always thinking the same old tired thoughts."
 
AWARDS
2011 Pura Belpre Honor Book for Narrative
2011 Bank Street - Best Children's Book of the Year.
 
REVIEW EXCERPTS
 “Like the firefly light, Engle’s poetry is a gossamer thread of subtle beauty weaving together three memorable characters who together find hope and courage. Another fine volume by a master of the novel in verse.”--KIRKUS REVIEWS, Starred Review
 
“The imagistic, multiple first-person narrative works handily in revealing Bremer, an alert and intelligent woman in rebellion against her background of privilege.”--THE HORN BOOK
 
“Through this moving combination of historical viewpoints, Engle creates dramatic tension among the characters, especially in the story of Elena, who makes a surprising sacrifice.”--BOOKLIST
 
 
CONNECTIONS
Other novels in verse written by Engle based on Cuba's history are:
THE SURRENDER TREE: POEMS OF CUBA'S STRUGGLE FOR FREEDOM. ISBN  0805086749
THE POET SLAVE OF CUBA. ISBN  9780307583055
 
These books can be used in studies from anything about the women's movement, slavery, those interested in Cuba to teens with Biography assignments. 
 
 

JAZZ

Jazz
JAZZ
 
 
BIBLIOGRAPHY
Myers, Walter Dean. 2006. JAZZ. Ill by Christopher Myers. New York, NY: Holiday House. ISBN 9780823415458
 
PLOT SUMMARY
JAZZ is a book comprised of 15 poems about jazz music.  Myers begins the book with an introduction about the history of jazz and then includes a timeline and glossary in the back of the book which help the reader become familiar with jazz.  The first poem starts in Africa and then moves on to  the streets of New Orleans including musicians such as the great Louis Armstrong.  Each poem is about the different styles of jazz including be-bop, swing, ragtime, etc.

 
CRITICAL ANALYSIS
This poetic picture book is about the different styles of jazz and some of the origins and notable figures. The beautiful illustrations, which are bold and full of color and emotion, show various jazz figures and playing of jazz instruments.  There is a rhythmic beat to each of the songs (poems) in JAZZ.  The reader can actually feel the beat and hear the sounds of the songs in their minds.  The style of the text changes in size, color and font depending on the beat and the emotion of the poem.  The language that is used is typical of the era and the culture. I particularly felt the emotion in Session I where Myers describes the "bass thumping like death gone happy/ souls dancing in 2/4 time / breathing sounds and tasting the rhyme."  Myers successfully arouses many different senses in his poetic form and allows the reader to actually feel while they read (or listen) to the different songs. There is also a syncopated beat illustrated in the type and text of each of the songs that ties them together.  I loved being able to not only read these poems, but to actually feel them as well.  "Mercy, mercy, mercy/ please have mercy Mr. Slide Trombone."  I can actually feel the author's soul in these words! 
 
AWARDS
2007 Coretta Scott King Honor Book
2007 BELA Award
 
REVIEW EXCERPTS
PUBLISHER'S WEEKLY:
"Walter Dean Myers infuses his lines (and the rests between them) with so much savvy syncopation that readers can't help but be swept up in the rhythms."
 
SCHOOL LIBRARY JOURNAL:
"The expressionistic figures are surrounded by high-contrast colors in which the visible brushstrokes curve around their subjects, creating an aura that almost suggests sound waves."--Wendy Lukehart, Washington DC Public Library
 
BOOKLIST:
"Middle-graders will feel the sound of the words and pictures working together, and younger kids will hear and see that connection when adults share the book with them."
 
CONNECTIONS
Social Studies, Music:
This is a great book to teach children about the history of jazz and the rhythm of jazz.  It can also be used across the curriculum to discuss different cultures and/or to get students interested in music.  The poems are perfect for read alouds and even better for listening to audios of professional storytellers with music backgrounds.  The theme of rhyming can also be easily taught through these poems.
 
Also read, HARLEM ISBN 9780590543408, another poem by Walter Dean Myers to teach about culture.  
 
 
 


Friday, October 12, 2012

MIRROR MIRROR

Mirror Mirror: A Book of Reversible Verse

MIRROR MIRROR

BIBLIOGRAPHY
Singer, Marilyn. 2010. MIRROR MIRROR. Ill by Josee Masse. New York, NY: Dutton's Children's Books. ISBN 9780525479017.

PLOT SUMMARY
In this collection of reversible verse poems, Singer puts a clever spin on classic fairy tales.  After a sample poem titled In Reverse where she introduces us to the style reverso (which she herself created), she starts the fairy tale stories with Cinderella's Double Life.  She includes many popular tales about Sleeping Beauty, Rapunzel, Little Red Riding Hood, The Ugly Duckling, Snow White, and many other well-known and loved fairy tales.  In each of the poems, Singer tells us another side of the story then cleverly reverses it by reversing the lines from bottom to top.

CRITICAL ANALYSIS
A reverso is two poems in one.  Read the first down and it says one thing.  Read it back up, with changes just in punctuation and capitalization, and it's a different poem.  Singer shows how two different ideas can be expressed when read forward and backwards. An example of a reverso poem is below:

Up
or
Down --
A poem
in
a puzzle
But it can also be read this way:

A puzzle
in
a poem --
Down
or
Up


Singer's unique style is very appealing.  Although the illustrations by Josee Masse are superb and really give us a visual perspective for each poem, the words and style of the poems have beautiful imagery in creating different points of view for the reader to experience.  You can actually feel the emotions coming from the prince in The Sleeping Beauty and the Wide-Awake Prince where he is experiencing angst and seems to be annoyed that Sleeping Beauty gets to sleep all day while "it's no fun being out in the world/ never partying/ never sleeping/ the prince hard at work/ looking for love/ hacking through briars / typical."  Sleeping Beauty's perspective is totally different.  Although the exact same words are used, their order and punctuation help to create a whole new point of view.  She is upset that although the prince is "typical/ hacking through briars,/ looking for love / the prince hard at work/ but I have to be / sleeping/ never partying/ never out in the world / it's no fun being in a fairy tale."  My favorite tale is The Doubtful Duckling in which the first version portrays the ugly duckling with a postive attitude about turning into a swan.  "Someday, I'll turn into a swan.  No way, I'll stay an ugly duckling."  The second version shows a negative point of view and ends with "An ugly duckling I'll stay.  No way I'll turn into a swan someday."  The words are so simple and even though there is little to no rhyme, I think that these stories will definitely appeal to the younger readers as well as the more mature reader.  They are classics with a twist which makes the student want to read to find out what happens, even though they have heard these fairy-tales many times before.  It's the same motivation as created in reading fractured fairy-tales.   MIRROR MIRROR is ingenious and I am thoroughly impressed with the style and creativity that Singer has created with her reverso, not to mention the outstanding illustrations by Masse with their bold color, emotion and symmetry.


AWARDS
2010 Cybils Award
2010-2011 Texas Bluebonnet Award Nominee


REVIEW EXCERPTS
"The poems are both cleverly constructed and insightful...giving us the points of view of characters rarely considered." --HORN BOOK

"A mesmerizing and seamless celebration of language, imagery, and perspective." --KIRKUS, starred review

SCHOOL LIBRARY JOURNAL:
"This is a remarkably clever and versatile book that would work in any poetry or fairy-tale unit. A must-have for any library."--Joan Kindig, James Madison University

BOOKLIST: (Starred Review)
 "This ingenious book of reversos, or poems which have one meaning when read down the page and perhaps an altogether different meaning when read up the page, toys with and reinvents oh-so-familiar stories and characters, from Cinderella to the Ugly Duckling. A must-purchase that will have readers marveling over a visual and verbal feast." --Patricia Austin


CONNECTIONS
Incorporating fairy tale poetry in the classroom is a great way to create interest in poetry itself.  Using reverso can help teach students the differences in points of view and examining multiple perspectives while also teaching about poetry.  Some helpful websites incorporating these lessons plans are: www.readwritethink.org - Explore Point of View in Fairy Tales
www.claudiagraphics.com - The Poets' Grimm Teacher's Guide
This book of poems could also be used across the curriculum on lessons of symmetry.  The illustrations provide a distinct view of symmetry.